Showing posts with label Kazushi Sakuraba. Show all posts
Showing posts with label Kazushi Sakuraba. Show all posts

Monday, June 7, 2010

Fight

Slowly but surely, MMA has become a fightsport -- emphasis on "sport". However, people might be forgetting another aspect of the game: it's a fight. It's one of MMA's roots, and the reason themes like "vale tudo", "samurai" and "gladiators" are popular.

In 1999, Shooto founder and pro-wrestling legend Satoru Sayama started his own martial art, Seikendo. In Seikendo, it defined throws as finishes for a fight. Why? Because a throw is effective in a real fight if you're standing up. Seikendo didn't succeed as a sport, largely because it focused on budo and real fighting purpose, and lacked business sense.

It's one of the things that makes "freakshow" fights appealing. In the early days, there was no mind paid to an opponent's weight, just like in a real fight, there are no weight classes. It's impossible to explain or excuse all "freakshow" fights in this way, but that thought definitely effects the minds of fans.

I heard Jordan Breen's radio show, and he was talking about Mauricio "Shogun" Rua. He said that he couldn't explain why he had such a large and dedicated fanbase compared to some other more known fighters. I say that charm comes from the versatility and imaginative fight style he brings. He, like Sakuraba, gained global support because of that point. Their viral video popularity proves it.

One of MMA's charms is that wild things you could never imagine happen in fights. But this mystique has been lessened recently. People know MMA better, fighters are more well-rounded, better prepared and have well-developed backgrounds.

This isn't necessarily negative; I'm not against MMA becoming more of a sport. I'll always support that. But I am worried MMA is becoming less imaginative. Of course fighters need to improve, so they take the more well-known blueprint to success. But, that's what made me excited when Lyoto became champ. I wanted to see MMA be imaginative. I still want MMA to have wild, stylistic twists. Lyoto's success was dependent upon his efforts to make karate fit MMA. MMA's imagination allows these turns to happen.

In the UFC, Shogun is definitely showing his versatile skills. But, his fighting charm was greatest in the Pride era. With soccer kicks and stomps, he could really show his imagination as a fighter. Because of fighters like him, you don't heard many fans complain about soccer kicks and stomps; the concerns are always about the sport's reputation from those outside the MMA world.

Moreover, when you think about going for a takedown, and you put your head down as an opponent's legs, you risk getting kicked in the head. In a real fight, it would be foolish to go for a weak takedown like that.

We need knees to the head on the ground first, but after people realize they're safe, I would like to introduce soccer kicks and stomps. I think it should work, since there is proof called "Pride" that it's not as dangerous as it seems.

Giving people freedom creates fighting imagination. That's fightsport: it makes profit like a true sports competition, but also satisfies our ideas about what a "fight" really is.

Big thanks to Jordan Breen (from Sherdog) for English and editing.

Wednesday, November 11, 2009

Judo Fly to the wolrd (How BJJ born)

Today, judo -- and by extension, Brazilian jiu-jitsu -- are international sports. But, at first, judo only existed in Japan. Today, I introduce three individuals who brought judo abroad. These are the first steps of oriental grappling going worldwide, clearly effecting MMA's establishment.


Mitsuyo Maeda (Conde Koma)

Mitsuyo Maeda (Conde Koma) is known as the father of jiu-jitsu. He as born in the prefecture of Aomori at 1878, and joined the Kodokan at nine years old. To pay the costs of staying in America, he took prizefights against boxers, kenpo practitioners and pro wrestlers. If any opponent beat him, they won 1000 U.S. dollars.

His prizefighting tour eventually landed him in Brazil, where he met businessman and politician Gastao Gracie, the son of a Scottish immigrant. Gracie wanted Maeda to use jiu-jitsu to teach his son Carlos discipline. Carlos would show these grappling skills to his younger brother, Helio, who would modify and improve parts of jiu-jitsu, renaming the art "Gracie jiu-jitsu."

Some 30 years ago, the heavy rain of Belem destroyed Maeda's grave. Maeda's friend Sakaeoti, and Yoshizo Machida -- the father of Lyoto -- collected the bones of "Conda Koma", cleaned them, and with the support of Kokushikan University, rebuilt a new tomb for him.


Masahiko Kimura

Masahiko Kimura as born in prefecture of Kumamoto at 1917.He start Judo at 10years old. Originally, Kimura wanted to be a part of the pro judo circuit and won the tournament, but pro judo was a financial failure. As a result, Kimura started to compete in pro wrestling. While working and teaching judo in Sao Paulo, Brazil, Kimura's colleague Yukio Kato was choked out by Helio Gracie, who had honed his grappling under his brother Carlos. Kimura worried about judo's popularity decreasing due to the event, leading to him fighting Helio at Maracana Stadium.

When Kimura arrived at the stadium, he found a coffin, which Helio had said was for him. However, Kimura defeated Gracie after 13 minutes, throwing him with an osoto gari, before attacking him with an ude garami, forcing Carlos Gracie to stop the bout, knowing his brother would not submit. Because of this bout, the ude garami was called the "Kimura lock".

Almost 50 years later, Kazushi Sakuraba would become the first man in modern MMA to defeat the second generation of Gracie family. Sakuraba beat both Royler and Renzo Gracie with the famous Kimura lock.

Kimura is also known as a teacher of Yoshinori Nishi and the late Ryusuke Moriyama, who were instrumental in forming Japan's biggest network of MMA gyms, Wajutsu Keishukai .


Yukio Tani

Yukio Tani as born in prefecture of Kumamoto at 1880.At the age of 19, Japanese jiu-jitsu practitioner Yukio Tani flew to London to serve as an instructor in Bartitsu, a hybrid martial art devised by British entrepreneur and self-defense pioneer E.W. Barton Wright. The martial art inspired famous author Arthur Conan Doyle to write his celebrated Sherlock Holmes character as a student of Bartitsu.

Unfortunately, Bartitsu was a financial failure. However, Tani stayed in London, and joined up with show business promoter William Bankier. Tani started to compete in jacket (gi) challenge matches at London's music halls. A challenger would be paid a British pound for every minute he lasted with Tani, up to 15 minutes, and 100 pounds if he could defeat Tani.

Judo school taught by Tani still exist in London.It named Budokwai.

Big thanks to Jordan Breen for English support and Editing.